This week we went on our nature trip! I really liked going
and being out in the open. Walking around as the sun was setting it was
interesting to see the change in the sky versus the change on our faces. As
people who don’t get the logistics of light, a cloudy day and sun set are
envisioned much differently than it should actually appear on the stage. It isn’t
effective to have a cloudy no source composition, because it’ll be boring and
uncomfortable. So as Lonnie said, we should stay away from the literal and
stick with the emotion. You can also pull a lot of different colors out of the
sun set than you would expect. So as a designer you have a really wide range of
colors you can use to support your sun rise or sun set. What I didn’t realize
before is that sun rises are a lot more pastel and sets are a lot more
saturate. Which makes sense when you think about it but it just never really occurred
to me before. Another cool observation
that I’ve always made on sunsets is the different levels of depth they have.
All the different clouds layer on top of each other, which is pretty helpful
for us lighting designers so we can add a bunch of colors. I loved this field
trip, and when I went walking the next day I was observing everything! It’s
interesting how more aware I am of my surroundings!
I really recommend you find a reason to be up at sunrise to get a 1st hand look at it
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